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Inside Your Pricing: It’s Not About the Numbers

One of the topics that we get asked most about (and I mean most by a long shot) relates to how folks should price themselves in their photography business. With the economy behaving like it is, there’s an authentic felt need for photographers to “get everything together” in order to book clients, make ends meet, and become profitable.

But it’s hard to find solid advice in a one-size-fits-all sort of way because everybody is so different and every photographer operates a different business – different goals, different struggles, different dreams.

So instead of spending time today talking about percentages, costs, and markups, I thought it would be helpful to instead talk about the “whys” behind pricing, and then leave you with some links to some of the “hows” as far as numbers go. Sound good?

Note: this is going to be a bit of a long post – but that’s because there’s a lot to talk about. So grab your coffee, sit back, and settle in.

It’s Not About the Numbers

When it comes to pricing, the first thing people tend to look at are the numbers, which I think is a mistake. Because the markets have dramatically changed in recent years, we’ve become largely focused on dollars and cents, trying to stay afloat in the economic climate. But in reality we should be focusing on something completely different. We need to be focusing on providing value in exchange for dollars.

So the real discussion on pricing isn’t about the numbers – it’s about creating value that EXCEEDS the numbers. So before I launch into concrete pricing models, I’m going to talk about three areas of your business in which you should be creating value that exceeds your pricing: (1) in the images you take, (2) in the service you provide, and (3) in the experience you create.

1. The Images You Take

Sure, you could build a gigantic marketing machine of a business and let your images fall by the wayside, but that’s not good for you, your clients, and the industry as a whole. So the first place that value needs to be created in your business is in your images. Your photography has to be quality work, and beyond being high quality, you have to be able to do it over and over and over again.

David Giffin said something at last year’s TED conference that is particularly appropriate to mention here. He said:

…every one of us has at least one or two great photographs in them. But to be a photojournalist, you have to have more than just one or two great photographs in you. You’ve got to be able to make them all the time.

So you need to be able to consistently create fantastic images from your shoots, day in and day out, under constantly changing and challenging conditions. In other words, your skills should match up with what you’re charging. Your clients need to be able to look back at the images you produced and say, “that was worth every penny I paid, and more.”

2. The Service You Provide

The second area that you can create value for your clients in is in the customer service you provide. This is a relatively simple area in which to create value, and this idea really centers upon setting expectations for your clients and then exceeding them. This means that you tell your clients that their images will be ready in 4 weeks, but then delivering a final product in 3 weeks instead. It also means having clear, consistent communication throughout the whole process so your client knows exactly what’s going on and when.

In other words, every interaction with the service portion of your business should add to the customer experience and not detract from it. Answer your phone, call clients back quickly, answer e-mails in a prompt fashion, and deliver everything on time, if not early. That’s how you create value in the service you provide.

3. The Experience You Create

This third area is probably the most fun, at least I think so. Your clients are really paying you for the experience that you’re creating, both in customer service and the finished product. Think about Apple products, for example. When you buy a brand new iPad, you’re not just buying the device. You’re buying an experience. The experience of going to the store, talking with the employee, going through the transaction, walking proudly out of the store, opening the box, and turning on the device. It’s all part of the experience, and each part of the experience works to make the final product more valuable.

So with the experience you create, what are you doing to break the experience down to meaningful touch points? Maybe gifts are your thing. Or handwritten notes. Or flowers delivered to your clients on their birthday. If you’re out to create value, then you need to make sure your interaction makes the experience better every step of the way.

So how do you do this? My friend Dane suggests that to be successful in this area we need to “be the invitation to others, that we would want for ourselves.” In other words, how would you feel special/valued/important/unique? What do people do for you that floors you and makes you stoked? Do that for your clients.

So what?

You get it – we need to create value in everything we do, and the value we create needs to exceed the price/fee we charge. Now let’s talk about the different ways for you to actually present your value/pricing to your clients.

But before you go anywhere, remember simplicity. I think photographers overcomplicate pricing more than anything else. Read Kevin Swan’s thoughts on the importance of simplicity. When you apply his ideas to pricing, he’s communicating (1) the importance of not creating confusion in our pricing with unnecessary bells and whistles, and (2) the idea that I’m not designing my business for everyone, but rather a very specific subset of the population. I think if you can take these two points and use them as the lens through which you view your pricing, you’ll have a much easier time booking clients.

Three Pricing Models

There are three basic models you could use to set up your pricing for your business. One isn’t better than another, but the important thing is to think about how you could use one of these to create the most value for your clients (in terms of simplicity, ease of understanding, etc). I have to give a big shout-out to my friend Jared Bauman for taking some time to help me understand the difference between these models, specifically the difference between the a la carte and up-sell models.

1. A la Carte

What it is: The A la Carte model is designed to let the client choose exactly what they would like, on their terms. Each offering within the model is independent of the others – that is, if the client chooses one option over another, you’re happy no matter what.

Value it brings: Clients who know exactly what they want can get exactly what they want, with minimal effort.

2. Three Package Model

What it is: The most common model used by photographers – three packages (or five packages) with a definite “middle” package. You use the lower and higher packages to guide the buyer to purchase the middle package, which often builds in the highest profit percentage, and gives the client the most value for their dollar (a win-win).

Value it brings: Clients who like others to put things together for them. It takes the guesswork out of the package building – they simply choose the package that best fits their wants/desires.

3. Session Fee / Upsell

What it is: Different from the A la Carte model in that you’re relying on an upsell in order to make your living. In other words, if the client doesn’t buy more than the initial offering, you are losing out. There are two ways of implementing this method: a low session fee with a focused upsell OR a high session fee and a less focused upsell. With either variation you are relying on some sort of upsell later.

Value it brings: Low Session Fee / High Upsell Value. It offers a low initial investment at a time when the client may not be able to afford as much, then the photographer is given the chance to prove the value of his/her product and then gives the client the opportunity to purchase more later.

If you’re still with me, give yourself a big pat on the back! Before we close, there’s one more thing that I’d like to talk about, and I think that it’ll make a nice bookend for this whole discussion. I know we’ve been very abstract in our talk thus far, and not really focused in on hard numbers (and by this point you should probably realize that this is because pricing isn’t about the numbers), BUT I think some sort of guidance is in order.

The Dollars and Cents

Once you’ve thought about your value (and how you give your clients the most value possible), you’ve got to figure out how to actually price yourself. I think the knee jerk thing to do is to Google your competitors, find out what they charge, decide that it sounds good, and start charging that price.

I want to strongly urge you to not go down that road.

It’s not that I don’t think you should come up with a workable number for your market – you should choose a starting point that fits with your ideal clientele – but I want to encourage you to FIRST do some homework, so you can have a basis on where that number comes from. This way, when clients push back and want some sort of “deal” you can actually know empirically why your numbers are important.

In other words, you need to know your costs in a very specific manner. Not only the cost of the products you’re selling (albums, prints, canvases, etc.) but also your costs for the intangibles you’re selling – your time, service, and images. The biggest mistake I see a lot of folks making is simply not knowing what it actually costs them to operate their business, and further what it costs them to pick up their camera, walk out the door, and shoot. Because even in this digital era, shooting isn’t free (remember, your shutter will break after 100,000 frames…and how much does that cost to fix? Can you do the math to figure out what each frame costs you?).

Sit down with a pen and paper and actually write down all your business costs (rent, insurance, capital purchases, editing, album design, printing, association fees, etc). Once you figure this out, you’ll be able to divide this number by the number of events you shoot in a year and come up with an hourly cost of doing business. This should serve as a basis upon which you build everything else. One of the biggest reasons small businesses fail is because they fail to become profitable, and having a solid knowledge of what it costs to operate is the first step to being profitable.

Increase your value, don’t decrease your pricing

Hopefully this post was helpful to you, and more than anything I hope it at least got you thinking about how to INCREASE your value as opposed to DECREASING your pricing due to the economic conditions we’re facing. The people that will weather the storm are the folks who are providing ever-increasing value to their clients.


Cheers!

Jeff



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melissa oholendt -

So true. I’ve been thinking on this a lot lately – ways to add value to my clients lives and while it definitely takes more effort on my part, it’s 200% worth it.

anjuli paschall -

hi jeff and erin,
there are a lot of great points in your post that leave me thinking. thanks again for sharing your thoughts and experience. in my first year of photography i have referenced your blog SO many times. i just appreciate your willingness to share your hearts, wisdom, and pictures (of course!). anyway- a big thank you :)

Rowell -

Really wonderful post! Really love this quote:

“If you’re trying to be appealing to everyone in your photography business, you will be attractive to no one.”

Faith Stone Photography -

Great post! Thanks for sharing.

Anastasia -

I would like to echo what Rowell said above. Really great post. Thank you for focusing my scattered thoughts on this subject (and on my business model in general).

This has helped me to realize that I need to refine my concept and handle my execution more succinctly. I am definitely floating about without a definite plan right now.

Thank you so much!

amy.lashelle -

jeff, seriously, thank you. super helpful post/ reminder. now excuse me while I go scope who I am building my business for :)

Betsy, La Vida -

You guys are so awesome! Well laid out points that EVERYONE can walk away from with some serious gems. Thanks for sharing and inspiring!!

Andi Nicole -

You guys rock! Thanks for taking your time in sharing this info to all of us :)

Reuben Poon -

As always, super informative and very helpful post. Thanks!!

Jeff Goins -

Very cool and helpful! Thanks for sharing.

Marissa Rodriguez -

Awesome. Awesome. Post!!! Thank you so much for this! :)

s h e r r y -

Awesome. Couldn’t have come at a better time :) I’m just finishing up my last final and will finally be able to sit down and figure all this out. Very true points you made about Apple, and interesting that we should be more like them. :) I do love Apple because their commercials are just so passionate! (I guess that’s something else we can take from Apple!)

Sam@Shuttersnap -

You guys are the best. Lots to think about, thanks.

Abbey Domond -

Thank you soo much for this! This gives me a lot to think about as I embark on this photography thing!

Charisse -

Awesome article. I too am floating right now without a plan. I love the perspective of this article. You have definitely given me food for thought! Thank you for taking the time to put this on paper.

whitney -

The thing I’ve found most helpful in working with my clients is to figure out “where there at” and what EXACTLY they need – because, for the most part, people don’t want to pay for things they don’t need/want :) Simple, but it works!

On Creativity | Zinchuk Studios: The Blog -

[...] How do I price myself?: This is an interesting FAQ posted by The Youngrens that discusses creative pricing. How do creative professionals balance cost and value for the consumer and also make some kind of profit to keep a business afloat. This is something that we’re working to balance, and in that vein I’ve been looking at several different album and print companies to find the best deals for our clients. We’re inspired to offer some cool new products and offer some new sessions–details coming soon! [...]

Shari Barnes -

Thanks again for this!

Mike Paterson -

Thanks for this info! I just came across you guys a couple days ago and have LOVED reading through these FAQ posts and your other posts. Definitely enjoying your love for life, your work, and the photographic community. Thank you! Thank you! Thank you!

I had a couple questions… not really pertaining to this post… but here you go:

Can you go through your camera settings: I’m guessing Manual, do you ever use Aperture? Single or Continuous for focus? What metering? Does it change for situations/lighting? Do you have certain shutter speeds you try to maintain for different situations?

How do you handle, approach, having two photographers? Does one of you act as the primary and one as the 2nd? Who shoots engagements or families?

What’s in your “Oh Crap!” bag?

Shooting primarily “wide open”, how many keepers do you get? ? out of 10?

What kind of branded collateral do you guys use? What do you feel are must haves?

What are your thoughts on including images? It looks like you guys include them in wedding packages… do you also include them in Family sessions?

I know you’ve said that you guys primarily use available light… when and how do you use your flashes? I know you have the PocketWizards… so more about the when and maybe what (if any) light modifiers you’re using.

Sorry… that know that was quite a few… I’m sure I’ll think of more though :o )

Cassie Pruiksma -

Awesome post, and great insight! Thanks so much for sharing:)
I’ve heard before that your shutter will break after 100,000 frames.. what happens then? Do most photographers get it fixed or just replace the camera? Has it happened to you?
Thanks!

Mike Moore -

Perfect post and perfect timing for me to read. Thank you for sharing.

Carolyn Tomasello -

So which model do you use? If you use a la carte/upsell how do you do a preview session or something to followup with clients to purchase products? How do you do this?