Be an Amazing Second Shooter
Since second shooting is such a valuable thing, how can you be an amazing second shooter?If you do a great job for one primary photographer, not only will they hire you again, but they will refer you to other photographers that need reliable, excellent assistants.So here's my tips on how to be a GREAT second shooter.
1. Be a team player.
When you're second shooting, you are never representing yourself or your own personal business, you're representing the photographer you're working for.
Your number one priority throughout the day is to make sure that the main photographer looks GOOD.
If they don't look amazing, you aren't doing your job.
This definitely means putting away your pride and grabbing images that aren't always the most exciting.
For example, you'll probably want to capture the bride getting ready or the couple having their First Look, but realize that you will most likely be needed somewhere else to grab images the primary photographer can't get while they are taking care of the most important moments (i.e. ceremony site details before guests arrive, scene setting shots, candids of family and friends, etc).
If you can have the perspective of being selfless as a second shooter, you'll be way ahead of the game.
2. Take care of the primary photographer.
During the wedding day the primary photographer will be shouldering a lot of responsibilities to make sure the day goes as perfect as possible, so help them out in any way that you can to make their day easier.
Bring them water during the hottest parts of the day and make sure they get served food at the reception.
Hand them lenses when they need a quick lens swap and carry their bag when they're working with the couple.
Be proactive and anticipate their needs before they ask.
This is the most impressive thing you can do for another photographer, and will be highly noticed and recognized.
You are there to serve them and their business, and that is the mentality you should always carry with you.
3. Different angles, different lenses.
Always be conscious of where the other photographer is standing while they're shooting, along with what angles they're grabbing and even what lens they're using.
You never want to duplicate shots - you're there to provide a creative variety of images, not to duplicate the primary photographer's images.
If the primary puts on a telephoto lens, you might switch to something like a 50mm or even a wide angle lens.
I think the point here is to not have the mentality that you're a "back-up" shooter - you're a secondary shooter and the angles and details you can grab are really important, especially for albums and slideshows.
This also means that you need to stay out of the primary's images as well, so be careful with where you're standing, especially during the ceremony.
4. NEVER pass out your business card.
This is HUGE.
Nobody at the wedding should ever be aware that you have a business other than working with the primary photographer.
Passing our your own business card will guarantee you won't be shooting with that photographer - or their friends - ever again.
This goes back to being a team player and making the primary photographer as successful as possible - you aren't representing your own business when you're second shooting.
Believe it or not, I've actually seen second shooters of ours give a guest their own business card, which is completely and totally inappropriate.
5. Candids, candids, candids.
Look for those fun, unique, natural moments that are constantly happening around you and photograph them.
When the primary photographer is doing family formals, for example, spend some time with a telephoto lens and grab candids of family members that are waiting for their turn for formals.
Weddings are delightfully fun events with great, candid moments going on all the time. Do your best to capture these when the primary photographer is otherwise occupied.
6. Don't over shoot.
When you're a second shooter, resist the temptation to hold down the shutter button and over-shoot the event.
Remember that the primary photographer has to process your images along with their own, so the last thing they need is to go through 4,000 of your images to pick out the best ones.
Be thoughtful with the shots you're taking as you take them.
Remember, you can afford to wait for the perfect moment as a second - the primary photographer will always be grabbing the safe, go-to shot, so don't take 20 frames when only 3 to 4 are needed.
Along the same lines as not over-shooting, be constantly aware of how many frames you have remaining on your card - this can be the biggest hurdle for folks just starting out.
Imagine shooting a first look only to get about 15 seconds into it and run out of memory. Just be aware of your shots, and you'll be set.
7. Enjoy yourself, push yourself.
Being a second shooter is a time for you to explore your craft creatively and try shots and angles that you wouldn't normally attempt.
This means you have a chance to get some incredible images that will push you further creatively AND make the primary photographer look like a rockstar.
Lastly, when you're a second shooter, always remember to smile!
Every guest in attendance is happy to be there, and straight-faces or frowns stick out like a sore thumb.
It's a wonderful time celebrating something incredibly significant and as wedding photographers we get the huge blessing of getting to tell the love story of our couples.
So smile and be excited too!I hope these tips are helpful for you! What other ways can a second photographer be super helpful? Share your tips in our Photographer Only Facebook Group!Hugs,Erin
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